Standing 81 metres tall and with 19 storeys, the HTM is Mestre's new landmark building that looks out towards Venice and the lagoon. The tower features a highly effective mechanism for vertical architecture: the concept of hybridisation and a mix and match of functions. The HTM is located in a prime position in the new urban dynamics and was designed to instantly show how the functional levels are articulated from the exterior, each of which has its own design and layout.
Con i suoi 81 metri di altezza su 19 livelli la HTM è il nuovo landmark di Mestre, rivolto verso Venezia e la laguna. La tower propone un meccanismo molto efficace nelle architetture verticali: il concetto di ibridazione e di mix-match delle destinazioni d’uso. HTM è collocata in posizione epicentrica rispetto alle nuove dinamiche urbane e il suo layout è stato concepito per manifestare immediatamente, dall’esterno, la scansione dei livelli funzionali, a cui è stato assegnato un design e un layout propri.
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- Cervet srl General Contractor
- 4000 sqm
- director of the project Flavio Albanese —Franco Albanese
founder & partner
Flavio Albanese (1951), is founder and president of Asastudio. A self-taught man whose training did not follow the more usual academic route, he began to show interest in shapes and design as a very young boy, and he gradually added many strings to his bow in all sectors of architecture and design. He has held courses at the École Polytechinique Fédérale in Lausanne and at the Art Institute in Chicago (1980), at Yale University (1983), at the University of Architecture in Delft (2005), at the University of Florida (2006), at the Fundacion Proa de Buenos Aires (2008) and frequently at the most important Italian universities. He has also held two workshops at the international summer school of the Architecture School in Venice in 2009 and 2010. He was a member of the Confindustria Vicenza committee from 1998 to 2001, the Domus Academy Scientific Committee (2004-2005) and the MIart Committee of Honour (2009 and 2010), director of the Officina del Porto di Palermo (2006-2008), vice president of the Andrea Palladio Architecture Firms International Centre (2011-2015) and president of the Fondazione Teatro Comunale Città di Vicenza (2010-2016). From 2007 to 2010 he was asked to head Domus, the prestigious international architecture, design and contemporary art magazine. Together with his brother France, he founded Asastudio in Vicenza in 1987, whose projects have appeared in the most important architecture and design magazines. The Neores project was selected for the Mies van der Rohe Foundation European Union Prize for Contemporary Architecture, and Asastudio took part in Venice's Architecture Biennial in 2004 and 2006. Flavio is an avid reader and bibliophile (his library, which is open to the rest of the firm, contains more than 15,000 volumes) and he is a connoisseur and collector of contemporary art. He is currently a member of the Unicredit Triveneto Advisory Board.
partner & executive director
Franco Albanese (born in Vicenza in 1958) has worked in the world of architecture and design since 1976. He graduated from the Architecture School in Venice in 1986 and the year after he founded Asastudio in Vicenza with his brother Flavio. Since then he has been the firm's CEO and Technical Manager, and this role has led him to playing his part in the creation, development and execution of the most important projects. As designer and operations manager he oversaw: the Faculty of Veterinary Medicine at the University of Padua (1997); “Neores”, the production site and headquarters of Sinv Spa in Schio, Vicenza, (selected for the Mies van der Rohe Foundation European Union Prize for Contemporary Architecture in 2003); the project for the Town Hall of the Municipality of Grumolo delle Abbadesse, Vicenza (1999); “Morimondo 17”, the industrial reconversion of the Sinv spa premises in Milan (2000); the headquarters of Margraf in Chiampo, in the province of Vicenza (2006); and the redevelopment of the “Cava di Mursia” on Pantelleria (2010). He also supervised the design of the Mestre bypass (2004), the “Rocco Forte Verdura Resort” in Sciacca, in Sicily (2005), the expansion of Pantelleria Airport (2006) and the new Rinascente in Palermo (2007). In recent years, he has increasingly concentrated on reconverting urban industrial areas, which has become a key theme of Asastudio's philosophy.project administrator Piero Corradin
head of projects
Piero Corradin (1975) graduated from the Iuav Architecture School in Venice in 2002 and in the same year began working as an architect with Asastudio. Some of the most important projects Piero has worked on include the urban redevelopment of a quarter in Beijing to an OMA masterplan (2007), the new branch of Banca Popolare in Marostica (2006), the new headquarters of AFV Acciaierie Beltrame in Vicenza (2007), the bid for the new Exhibition Centre in Vicenza (2008), and the international bid “Recupero della cava di Mursia” on the island of Pantelleria (2010). In 2012 he took part in the Hybrid Tower project in Mestre (Venice) and in the design for the architectural layout of Verona's trolleybus system. In 2008 he was a tutor for PreVisioni, the international workshop on the future masterplan for Vicenza; and at the 2009 and 2010 summer workshops of the Iuav Architeecture School in Venice. Since 2014 Piero has been Asastudio's Head of Projects.team Nicola Caputo —Anna Concato —
final and working stages of projects, coordinating operations on site for the professionals who physically create the project and working with clients on their choices to ensure that the firm's vision for the project is in keeping with the clients' wishes. For the firm Nicola has been involved in projects that include the Rocco Forte Verdura Resort in Sciacca, the Hybrid Tower in Mestre, the Villa Coeur Jolie in Cap d’Antibes, as well as many other projects. Before joining Asastudio, he worked at Studio Altieri in Thiene, in the contract field in workplace interiors with Adotta, and again as designer with Studio Gabbiani & associati, tackling projects of different sizes, including hospitals, shopping malls, infrastructure and restoration work. He lives in Vicenza with his wife and son. He's a keen pre-master swimmer and when he isn't diving into the firm's design projects, he's diving into swimming pools. One of his favourite books is "The Art of War" by Sun Tzu. One thing he couldn't live without is a pair of well-crafted shoes.Andrea Garzotto —
architectFrancesco Marangoni —
Andrea is an architect who specialises in image rendering of projects and 3D models and joined Asastudio in 2007. Virtual rendering and 3D models are a key aspect of every level in architectural projects, which is why Andrea is involved in all the firm's most important projects. Besides rendering images, he also works in interior design and architectural design. After spending a year and a half in Porto, where he fell in love with black and white images, he graduated in architecture from the IUAV in Venice in 2006. In December 2012, he opened "Incipit", a collective space and laboratory for the visual arts. Andrea is a freelance photographer, and considers himself to be a precursor to selfies and a wannabee biker. Travelling is an integral part of his life and his photography. He loves the Berghain in Berlin and wines that have bubbles.Giuseppe Santonocito —
3d models & digital printer supervisor
Francesco Marangoni (born in 1982) graduated in Political Economics from the University of Verona in 2007. After working as a projectionist and usher in the historic Odeon cinema in Vicenza, he happened upon Asastudio in 2006. Here he has helped arrange and catalogue the more than 15,000 volumes contained in the firm's library. He then devoted himself to creating architectural models with a CAD/CAM pantograph and a 3D Zcorp 650 printer. Although he has founded and is involved in the production side of a small web radio station, he insists on listening to Radio3 in the models room on an analogue radio. In his free time, with variable results, he tries to indulge in his passion for reading, music and travel. From the studio library he'd borrow Codex Seraphinianus, while his favourite media is beer.Giacomo Tomasini
Giuseppe studied philosophy in Venice and Paris, completing his research doctorate in 2006. Since 2007 has managed Asastudio's communications, dealing with new acquisitions for the Library and taking part in key concept and project philosophy planning. From 2007 to 2010 he was a regular contributor to Domus magazine, providing articles, research and reviews, as well as working as editor on the books section for several editions. Before joining ASA, he was assistant librarian at the Museum of Modern Art in Ca' Pesaro in Venice (from 2001 to 2005). As a freelance copywriter he has produced concepts and text for various projects, working with the digital storyteller Felice Limosani on “Il sole sui tetti” 2011 and 2012, with the Fondazione Gaetano Marzotto for the Progetto Marzotto 2013, and with Intertrade Group and Agenzia del Contemporaneo for Pitti Fragranze 2014. He was a tutor at the summer workshop of the Architecture School in Venice in 2009 and 2010. The often exceedingly loud music blaring through his AKG headphones includes Radiohead (and never Coldplay), he loves wide open spaces that aren't very city-like, such as Berlin, and he prefers red wine to white.
Giacomo is an architect and joined Asastudio in 2006. As a designer, he has tackled a wide range of architectural themes, which is no small achievement with Italian firms today. The long list of projects he has taken on includes the new exhibition centre in Vicenza, the Hybrid Tower in Mestre, the tender for the A31 North motorway, and the Noero Gallery in Turin. Before joining Asastudio, Giacomo worked at other architecture firms, while also teaching at the IUAV in Venice from (2004 to 2012) and at the MIUR (2014) as a lecturer in geometric and architectural design. He is a fan of typography and his favourite book in the Asa Library is "The Loser" by Thomas Bernhard. At the moment, he's probably listening to The Acid Kings on his headphones.
- Studio Berro Sartori
- Images credits
- Andrea Garzotto
The HTM is located in Mestre, in an urban setting at the crossroads of Corso del Popolo and Via Torino: a prime location due to its accessibility, its proximity to Venice, and its connection with the lagoon. This part of the city has rapidly metamorphosed from being a semi-abandoned industrial area to being a new hub for offices, tourism and housing.
Today the Via Torino area is transforming Mestre into a contemporary, metropolitan city, which is an important link between Venice and the mainland.
The city of Mestre has an unusual urban history: it did not grow in a linear fashion, but is the result of a mass of isolated, disjointed and non-consecutive architectural chapters. Mestre is an episodic city: here, exception is the rule, and its episodic nature is part of the city’s heart and soul.
The HTM is the latest example of this: a chapter that will become a landmark, a virtuoso example that is nonetheless consistent with the city’s fragmented system.
The tower sits atop a commercial complex, 81 metres tall with 19 storeys, looking towards Venice and the foothills of the Alps.
From a formal point of view, its functions are varied, something that has been a successful formula for all vertical buildings: the coexistence and superimposition of several functions in the same building. The new project for the HTM, conceived by asastudio, is a huge leap in terms of quality compared to the initial proposals: the volumetric impact is 60%, thereby improving how the tower relates with its surroundings. The tower comprises communal and private areas, and has a wellness centre (levels 2 and 3), office levels (4-11), and residential housing (12-16), as well as a panoramic restaurant on the 17th and 18th floor and, on the top, the Hybrid Open Source Terrace, with a 360° panoramic view. The decision on how to distribute the residential and office areas is intentionally non-standard, and there is a skilful alternation of duplexes and simplexes.The tower layout was conceived as a superimposition of various architectural and functional patterns that are instantly recognisable from the exterior, articulated as they are in different and typical ways in stylistic terms.
La HTM è situata a Mestre, nel vertice urbano che interseca Corso del Popolo con via Torino, in una posizione molto favorevole per l’accessibilità, la vicinanza a Venezia e la relazione con la laguna. Questa parte di città ha vissuto una metamorfosi molto rapida evolvendosi da areaindustriale e semi-abbandonata in nuovo polo direzionale, turistico e residenziale. Oggi il distretto di via Torino si candida a diventare la City di una città metropolitana e contemporanea, che fa da perno tra Venezia e l’entroterra.La città di Mestre ha storia urbana particolare, non segue una crescita lineare, ma è il risultato di una sommatoria di episodi architettonici isolati, disarticolati e non consequenziali. Mestre è una città episodica: la sua logica è quella dell’eccezione, l’episodicità è il suo genius loci.
La HTM rappresenta l’ultimo esemplare della serie, un episodio in grado di diventare landmark, un esempio virtuoso ma coerente con il sistema rapsodico della città.
La tower si eleva su una piastra commerciale per 81 m di altezza e 19 livelli, con un orientamento che guarda a Venezia e alle Prealpi. Dal punto di vista formale, compendia il principio della mixitè delle funzioni, formula vincente per tutti gli edifici verticali: la coesistenza e la sovrapposizione di più destinazioni d’uso nella medesima struttura. Il nuovo progetto per l’HTM, concepito da asastudio, rappresenta un enorme salto di qualità rispetto alle prime soluzioni proposte: grazie ad esso l’impatto volumetrico viene ridotto di oltre il 60%, migliorando la qualità delle correlazioni con lo spazio circostante. La tower avvicenda spazi collettivi e privati, ed è dotata di wellness center (livelli 2 e 3), di livelli direzionali (4-11)e residenziali (12-16), di un ristorante panoramico al 17 e 18 piano e, alla sommità, della Hybrid Open Source Terrace, con vista panoramica a 360°. La scelta nella distribuzione degli spazi abitativi e direzionali è consapevolmente non-standard, con un’articolata alternanza di duplex e simplex. Il layout della tower è stato concepito come sovrapposizione di pattern architettonico-funzionali differenti, che si lasciano leggere immediatamente dall’esterno, attraverso una scansione stilistica differente e tipica.
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